Handheld shooting can help you tell a story in a different way and make your production feel more authentic. As opposed to the stability that comes with being held by a tripod, a camera used with handheld shooting makes for a bouncy shot. With this camera movement, the operator takes control of the camera and holds it while performing several basic camera movements. Handheld ShootingĪ handheld shot lets you take the camera on the go as you follow the action of a scene. Trucking is often used during action sequences when you want to keep the camera on a moving character. This movement maintains the same distance from your camera to the subject and is most effective when used with a fluid motion track to avoid shaky shooting conditions. Performing a truck lets the camera stay with a moving subject in the shot. Like the dolly movement, trucking involves moving a camera along a fixed point, often on a stabilized track, but to the left or right instead of forward or backward. This type of camera movement is often used to focus on a character when they’re lost in thought or when they’ve come to a sudden realization. Placing it on a stable track can help you move the camera with a fluid range of motion. When you “dolly in,” the camera moves toward the subject, whereas when you “dolly out,” the camera moves backward and away from the subject. With this camera movement, you’re moving the camera toward or away from a subject, often by placing it on a track or motorized vehicle. To use it effectively, move the entire camera up or down on a tripod with respect to the subject. This movement is best used to shoot a tall character or subject. When you “pedestal down,” you’re moving the camera downward. When you “pedestal up,” you’re moving the camera upward. Throughout this movement, the camera is fixated on one location, such as on an adjustable tripod. With a pedestal movement, the entire camera moves up or down on a pedestal, as opposed to the camera’s angle tilting. It’s important to use this movement sparingly to minimize distraction or overuse. There are several ways to use this camera movement creatively, such as zooming in on a fast-moving scene to add more drama and energy or zooming in on a character’s face to emphasize a humorous expression or look of terror. It also lets you zoom out and move farther away from a subject in a shot. Zooming is used to focus on a certain area in the frame and is commonly used to go from a long shot to a close-up of the subject you’re filming. For example, if there’s an uninvited guest in a party scene, you can build up the tension while you pan to reveal their presence as opposed to using a fast cut. Panning can also help you reveal things that were previously off-screen. Panning can help you establish the location of a scene or let you follow a moving character. This movement uses a continuous shot to show the audience what you can’t fit in a single frame. Though you’re not moving the camera, you’re changing the direction it’s facing and capturing a panoramic view. When you pan, you’re moving your camera from left to right or vice versa, all while keeping the camera’s base fixated on a certain point. Tilting the camera can also help you reveal an object or person that wasn’t on screen before and add an element of surprise to the scene you’re setting. This vertical movement can help you fit more into a single continuous shot. Though the camera remains stationary, you have control over the angle it’s at. When you tilt a camera, you’re shifting the camera’s view up or down without changing its horizontal direction. Here are many different types of camera movements you can incorporate into your visual stories: Tilt Using a variety of camera movements allows you to tailor the way the story is told, parse out information to audiences, and fully immerse them into scenes. Controlling reveals: Adding camera movements is also a great way to provide narrative information, reveal new subjects that were once offscreen, and even foreshadow or create ironic tension that characters are unaware of.Directing audiences’ attention: Camera movements can obscure audiences’ vision as well as pull audiences away from certain elements on-screen.Shaking the camera during an earthquake scene can convey fear and chaos while swaying on a boat mimics sea-sickness. Influencing audiences’ emotional reactions: Camera movements can imitate a person’s view during various circumstances.You can even make static scenes seem active with certain camera movements. Creating dynamic scenes: Since the camera is an audience’s eyes on a story, using camera movements can make scenes more interesting, add a naturalistic element to scenes, and mimic human movement.The particular movement of your camera can serve several purposes for your video production, including:
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